Sunday, April 1, 2012

An Arcimboldo Vision

A few years ago, I decided to invite friends to an Arcimboldo party at my house/studio. When we met for the occasion, everyone was to bring collage elements cut from magazines and newspapers or carry along found objects that could be incorporated into an experimental creation. I promised to provide a life-sized drawing of the profile of each of their faces which became the base for the cutout images and 3d objects which were glued and arranged around the paper surface. Some of the examples of the collages (picked from 23 participants) were stunning! (see examples below) There were many other original concepts as well.

Because of my admiration of Arcimboldo, a 16th century painter, I wanted to spread the joy of his modernist concepts to anyone willing to participate in this project. Arcimboldo (I've mentioned this artist before) beautifully arranged fruits and vegetables ( and even pots and pans) in a collage fashion that described an individual's portraiture. Delicately and classically painted, these objects represented all the facial features, clothing, and even the skin tone of the artist's subjects. Humorous as these portraits were, Arcimboldo was a serious, highly inventive artist. While his playfulness amused the Viennese courts (mid 16th century), he should have been acclaimed as one of the first modernist painters well before the 20th century decreed that there was a Modern Art movement.




This remarkable artist's transformative vision suggests to me that an examination of the mysterious relationship between man as an element in nature and man as a metaphysical entity can never be fully resolved.